12/17/2023 0 Comments Displaycal review![]() I think that for 27" monitors, 2K is fine. (yes, I know some folks don't like him.) Here's what he says in more depth than I could say here. When sharing the videos you may produce, the viewers will be interested in the content and not the color space and will be viewing your videos on sRGB monitors.īasically, I agree with Ken Rockwell on using sRGB. The standard color space for the web is sRGB. (Like selling your images, or you just want to "personally" view your images on a wide gamut monitor.)Īll of the people you share your pictures with will surely be using sRGB monitors. My view is to stick with sRGB unless you have a specific need for wide gamut monitors. Many end up using these as sRGB devices anyway. I urge you to review these before buying an RGB monitor. I admire the videos on color management topics linked to. If turning down the brightness on an RGB monitor to the oft recommended dimness for color managed printing much of the RGB gamut may be lost to your retina.Īll of this presupposes the use of a color manged image processing program that is properly set up for color management. If intending to print sRGB is more similar to most ink jet printer gamuts than RGB, potentially less frustration comparing prints to what you think you see on the monitor. The benefits of processing and printing raw images in a 16 bit color space on a mere sRGB monitor are tangible and easy to demonstrate to yourself. If you know what you are doing then the wider gamut monitor is the better choice, but its benefits come with caveats. If you process 16 bit raw images on an RGB monitor it is likely only you will see the wider gamut, assuming your color vision is up to the task, because electronic distribution is overwhlemingly an sRGB world and prints are whatever the gamut of the printer ink set. That includes understanding what is color managed on your machine and what is not. If you shoot raw and get a monitor with wider than sRGB gamut you need to fully understand how to convert to and preview images in sRGB or havoc ensues. ![]() An RGB monitor improperly used with sRGB materials can easily drive those images out of their native gamut, havoc ensues. If you only shoot jpegs there is no benefit at all to getting a monitor that has wider than sRGB gamut. I would avoid the great amount of nonsense out there and often regurgitated on this forum about 10 bit video systems until you fully understand the basics. That includes a basic understanding of the differences, or lack thereof, between the various color spaces in real world use, including DCI vs RGB. ![]() If you have to ask then you really need to educate yourself on the yawn inducing basics of color spaces, bit depth, and color management. Is this correct or is it more likely that a monitor can operate under various color spaces that I can select depending on the activity?Īlso, if I go with two identical 27" monitors, do you think 4k or 2k make the most sense? I intend to use Windows 11 for photo and video editing work. My understanding is monitors primarily used for video work use a different color space (DCI-P3) that might not be the best choice for photo editing (sRGB/Adobe RGB). ![]() ![]() I would appreciate advice on what color space and resolution make the most sense. If I get a single 32" monitor, I will use my current monitor as a secondary display. If I get two new monitors, my current monitor will be moved to another system. I have been considering getting two new identical 27" monitors or a single 32" monitor. The monitor reaches about 99% sRGB and works fine for photo editing. I already have a 27" LG 4K monitor that I calibrate with Displa圜al. I would like to learn video editing and am thinking about picking up a new monitor or maybe two. ![]()
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